Packafōma Philms
The Packafoma Post is the post-production, photo, and tech blog of Packafoma LLC, the Philadelphia production company of cousins Dax Roggio and Shea Roggio.
Packafoma and Toryville Productions once again teamed up to provide live event video of the 2024 Wawa Welcome America Festival for CNN’s national special, The Fourth in America. Live musical performances from Kesha and Ne-Yo entertained thousands of Philadelphians, who filled the Ben Franklin Parkway from Logan Square to Binswanger Triangle. The concert was followed by a uniquely spectacular fireworks show over the Schuylkill River, Boathouse Row, and the Philadelphia Museum of Art. FAA certificated UAS Pilot, Dax Roggio, and producer, Tory Stagnaro, maintained real-time contact with CNN’s Atlanta control room and NBC’s Philadelphia control room simultaneously to provide both outlets with live drone shots of the concert and fireworks....
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Tangles in Time is a series of live performances and short documentary films that intimately explore the lives of people suffering from dementia and the life-altering challenges faced by their care partners....
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In an alternate timeline, no pun intended, Final Cut Pro 8 was a brilliant upgrade to Apple’s storied non-linear editor. FCP 8 introduced cutting edge innovations, 64-bit performance, and Apple’s trademark interface refinements without sacrificing existing features or compatibility with FCP 7. Six years later, with Avid in bankruptcy, Apple built on the runaway success of FCP 8 with FCP 9, an app so flawless that its users ascended to a higher plane of existence, their cinematic visions inspiring peaceful resolutions to all the violent conflicts on Earth. But here in this universe, Apple released FCP X, and I switched to Adobe Premiere Pro....
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I recently had the opportunity to edit the theatrical trailer for the award-winning feature film, Jack of the Red Hearts, starring Famke Janssen (X-Men) and AnnaSophia Robb (Mercy Street, The Carrie Diaries). The film will be released in theaters on February 26 at AMC locations across the country. I began cutting this trailer in Adobe Premiere Pro CC but switched to BlackMagic Design’s DaVinci Resolve 12, not for color correction, mind you, but for editing and delivery. My endless frustrations with Premiere Pro are well documented, but the final straw was the 5.1 surround sound mix....
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When FCP Classic was EOL’d in 2011, I was one of the first among my circle of editors in LA to give Premiere Pro a shot. Technically, Premiere had been around for quite a long time, but for Mac users, it was never even a contender. Plus, if you were like me, you mostly associated Adobe’s video products with Flash, which I loathed long before Steve Jobs famously published his thoughts on the subject....
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The CS6 version of Adobe Premiere Pro went a long way towards winning me over after Apple stranded the FCP7 community with the release of FCPX. I still have many, many gripes, including major stability concerns in the Mac version, but I believe Premiere is close to being awesome. So it is a shame that it is still missing an important feature: background rendering....
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Photos from the Two of Us music video shoot in Olympia, Washington…As is the case with most indie productions, our crew members had to wear many hats. Thank you to our production coordinator, Liz Conroy, for taking on the job of still photographer and supplying us with most of the images below, presented here in roughly chronological order....
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